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Currently, Katrina Kaif is busy with her film Zoya Akhtar’s ‘Zindagi Na Milegi Dobara’. It has been quite a long time since Katrina has been in Spain. However, the experiences for Kat were like anything, both the good and the ‘not so bad’. When on one side Katrina got heartwarming comments about her affinity towards her work, she also had to pay the price.
Unusual working hours is what Katrina had to go through. This might had been her first such experience till date. However now, the film unit will shortly be packing for good. Surely, a huge monkey will get off Katrina’s back.

Katrina Working On Birthdays too?

We had before this reported how professional Katrina is. She has always given priority to her work rather than anything else. Even today’s story is no different. The difference is that in spite of her being a birthday girl she will have to work as usual. However, Zoya Akhtar had some other plans.
During the shooting of one of the scenes on the streets of Spain, Zoya asked everyone to start singing ‘Happy Birthday, Katrina!’ And before long there were hundreds in the street joining the song. Had Katrina imagined such a birthday bash? Work and enjoyment came hand in hand for Kat.

Katrina Kaif: busy in what?

Having celebrated her 26th birthday recently, Katrina Kaif is back to what she does best, acting. Currently shooting for Zoya Akhtar’s Zindagi Na Milegi Dobara, she all set to be cast opposite Abhishek Bachchan for three films, first of which is a sequel to Dostana. Abhishek and Katrina will also be seen in Abbas-Mustan’s Hindi remake of the Hollywood crime thriller Italian Job which is expected to be a very high budget film. The last of the three films will be a Vipul Amrutlal Shah film which will be a romantic comedy whose shooting is set to begin in January next year.

Katrina Kaif: latest info

Having recently celebrated her 26th birthday not in London or Mumbai but in Spain in a little city called Pamplona where she is busy shooting bull festival sequences. Currently shooting for Zoya Akhtar’s Zindagi Na Milegi Dubara, she was surprised by her sister’s visit to her who flew from London to join her for her birthday. The news has it that Katrina will be pairing up with Abhishek Bachchan for three films, the first one being a sequel to Dostana whose shooting is set to start in August when she returns from her shooting presently on in Spain.

Work At Night & Sleep At Days

All work at night and a sound sleep during days is what Katrina’s schedule is for the past many days now. Katrina is in Spain for the Zoya Akhtar directed ‘Zindagi Milegi Na Dobara’. The strange working hours are forcing the beauty to change her routine so drastically, you could never have imagined.
The shooting starts around 4pm and goes on till the early morning of the next day. The whole night of shooting is taking a toll on Kat’s health. However, a professional like Katrina knows how to manage this all. Though, she is not letting it know, without doubt, she is in trouble.

Katrina’s Dance

We have seen the delicate side of the tantalizing beauty Katrina Kaif. We have seen her get confident and do some hard core action scenes. We have known how workaholic she is, gives the best she can for her roles and characters. Is there anything remaining for Katrina to achieve in such a short period of time?
Yes, there is no end to achievements. What Katrina has to achieve might be unknown to us now. But in her next movie ‘Tees Maar Khan’ she will be belly dancing. For the same, a tutor is also helping her out. How do you think will the lady with an alluring smile

Katrina Strikes Gold

Its heard that Katrina is working more on her Hindi sessions than workout now a day.
Katrina thinks that effective dialogue presentation and Hindi skills will make her acting seem more realistic.
We don’t know for sure how this is going to work out for her, but her role in Rajneethi has won serious acclaim.
Katrina has proved, that she is mature enough to handle serious roles and her critics are now mouth shut.
Her upcoming projects are Tees Maar Khan a Farah Khan film casting both Akshay Kumar and Akshay Khanna.
In Running with Bulls, a Zoya Akthar film she costars with Hrithik roshan.
Viewers look forward and expect to see more of her “acting” talents. Is Katrina trying to impress Salman’s family?

Katrina Kaif held a special show of her film, ‘Rajneeti’, only for Salmaan Khan’s family. And she got a huge applaud from Salim Khan, Salman’s father for her superb performance. Feeling excited, Katty said, “I wish all these speculations on my personal life would end. Salman’s family is the only family I’ve known in Mumbai. That can’t change. Of course, I wanted Salim Saab to see Rajneeti, for very special reason. He has seen my struggle in Bollywood from the start. He’s very proud of me”.
But, unfortunately, Salman missed the whole scenario as he was busy for his outdoor shootings.

Katrina Kaif has been almost dictating terms. However, to achieve this, she had to take a lot of efforts. Her choices of films have been quite astounding. She has hardly put a foot wrong. The same is her influence in her latest released flick ‘Rajneeti’. Prakash Jha wanted to celebrate the success of the film and he wanted all to be a part of it.
Kat is shooting for Zoya Akhtar’s ‘Zindagi Milegi Na Dobara’ in Spain. However, as she is in Spain, it was not possible for Katrina to fly down to Mumbai. Prakash Jha was keen to have Katrina for the party. But, the lady who gives work more importance was in no mood to take party over work. Dedication is success, after all.

Katrina got a sprain in Spain

While working out in a gym, Katrina Kaif sprained her neck. Kaif is shooting for Zoya Akhtar’s film, Zindagi Na Milegi Dobara in Spain and got damaged. Katrina told, “I don’t know how it happened. I’ve been spending more time than usual in the gym, since there’s no other leisure activity here. Sometime during my session in the gym, I twisted my neck. Now I can’t move it either left or right”.
Now, everyone is worrying if she would be able to complete the shoot at time as there are a good amount of action scenes to perform with her. But brave Katty replies, “I can’t let a sprained neck obstruct the shooting”

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Harry Potter in the new movie "Harry Potter and the Sorceror's Stone", poses alongside Rupert Grint, 11

British actor Daniel Radcliffe, 11, centre, who will play boy wizard Harry Potter in the new movie "Harry Potter and the Sorceror's Stone", poses alongside Rupert Grint, 11, who will play Ron Weasley and Emma Watson, 10, who will play Hermonie Granger, in this photo made available in London, Monday, Aug. 21, 2000. Daniel who starred in the BBC adaptation of David Copperfield, was named as the star of the first Harry Potter movie, after a worldwide hunt by director Chris Columbus. Columbus and producer David Heyman discovered their Harry Potter, Ron Weasley and Hermione Granger from the thousands of children who cast their names into the hat to play the roles.

British actress Emma Watson arrives for the after show party for Harry Potter and The Deathly Hallows: Part 2, Thursday, July 7, 2011 in London.

British author JK Rowling, second left, joins actors, left to right, Daniel Radcliffe, Emma Watson and Rupert Grint in Trafalgar Square, central London, for the World Premiere of "Harry Potter and the Deathly Hallows: Part 2" the last film in the series, Thursday, July 7, 2011. Harry Potter's saga is ending, but his magic spell remains. Thousands of fans from around the world massed in London Thursday for the premiere of the final film in the magical adventure series.

Joel Ryan

British actress Emma Watson arrives for the after show party for Harry Potter and The Deathly Hallows: Part 2, Thursday, July 7, 2011 in London.

Jonathan Short | AP

(L-r) DANIEL RADCLIFFE as Harry Potter, EMMA WATSON as Hermione Granger and RUPERT GRINT as Ron Weasley in Warner Bros. Pictures' fantasy adventure "HARRY POTTER AND THE DEATHLY HALLOWS - PART 2," the final film in the series. The movie will open in the U.S. on July 15.

Jaap Buitendijk

> British author JK Rowling, second left, joins actors, left to right, Daniel Radcliffe, Emma Watson and Rupert Grint in Trafalgar Square, central London, for the World Premiere of "Harry Potter and the Deathly Hallows: Part 2" the last film in the series, Thursday, July 7, 2011. Harry Potter's saga is ending, but his magic spell remains. Thousands of fans from around the world massed in London Thursday for the premiere of the final film in the magical adventure series.

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Bond vs Bourne StreetSmart helps Star Movies bring James Bond to life

I’ve had a month of spies. First I read Jeffery Deaver’s new James Bond book, Carte Blanche (published in this country by Hachette whose boss Thomas Abraham may well be India’s greatest James Bond fanatic) which does not take off from where Ian Fleming left but updates the character to the era of iPhone apps. Then I spent two evenings watching all three of the Bourne movies. (Identity, Supremacy and Ultimatum – though I’m never sure if I can remember the names in the correct order), nominally based on the Jason Bourne novels written by Robert Ludlum several decades ago.

There is a connection between James Bond and Jason Bourne that goes beyond initials. Though the first Ludlum book (The Bourne Identity) was written as a stand-alone, the author quickly decided that he had a Bond-like franchise on his hands and made his hero return again and again. While the Bourne of the novels was a rather sophisticated, tame figure, portrayed unmemorably by Richard Chamberlain in a TV mini-series based on The Bourne Identity, the Bourne of 21st century movies is an angry and confused loner who has virtually nothing in common with Ludlum’s Bourne
Even so, the Bourne movies created endless trouble for the Bond franchise. Such was the success of The Bourne Identity movie, starring a violent and agitated Matt Damon, that Hollywood re-thought the Bond formula. Out went Pierce Brosnan, a perfectly good Bond who nevertheless always played the character in a slightly male-modelish way as though he was advertising a premium vodka or an upmarket golf-course. And in came Daniel Craig who was made to bulk up so much that when he wore his Tom Ford tuxedo he looked like a bouncer outside a very expensive Monte Carlo nightclub.

The formula changed too. The Craig-era Bond movies have been more believable (well, as believable as anything to do with James Bond can be) and packed with action sequences: the first half-hour of Casino Royale could be a stunt film. The traditions of the genre have been downplayed or junked. In Casino Royale, when Bond is asked if he wants his martini shaken or stirred, he replies, “Do I look like I give a damn?” There is no Mao-suited villain with a secret underground lair, or a pussycat purring sinisterly on his lap. And Craig doesn’t even get to say “Bond – James Bond” till the last scene of Casino Royale.

But as hard as the Bond franchise has tried to rework the rules to compete with the Bourne movies, it is stuck with a basic problem. The point of the Bourne pictures is that Jason Bourne takes on an-all powerful establishment single-handed and still wins. On the other hand, James Bond is entirely a tool of the establishment.

Ian Fleming created Bond in the 1950s, using his experience in naval intelligence during the Second World War. In those days, there were clear heroes and villains. The Brits and Americans were the good guys. The Nazis were the bad guys. (The villains in Moonraker refer to the Fatherland, Auric Goldfinger is German, etc.) And later, the Russians were the bad guys.

In Fleming’s world, Bond was a soldier sent off to battle with the enemies of the Anglo-American alliance. He took orders from an Admiral (called M); was subservient to the Foreign Office; had a naval rank himself (Commander); relied on a network of British Secret Service operations all over the world; was given expensive weapons, cars and gadgets by the British government; and worked closely with the CIA’s Felix Leiter.

The movies kept these elements but also relied on Spectre, a secret organisation that wanted to rule the world, which was probably created not by Fleming but by Kevin McClory, who collaborated with Fleming on the screenplay that became Thunderball. (When Fleming denied him credit, McClory sued and won the movie rights to Thunderball which he re-made as Never Say Never Again, Sean Connery’s comeback as Bond). There is some dispute also over who created Ernest Stavro Blofeld, the head of Spectre who features in many Bond novels but who vanished from the later movies once McClory began suing.

It always struck me as curious that it was during the anti-establishment, counter-culture revolution of the Sixties that the Bond movies first found success. While the establishment was collapsing in the real world, Bond was fighting on its behalf on the screen. When young people were wearing jeans and smoking dope, Bond was making much of fancy clothes, expensive cars (an Aston Martin rather than the Bentley of the books) and vodka and nicotine. In contrast today, when brand-based snobbery is so much a part of the aspirational ethos, it is curious that Jason Bourne who cares about none of these things should be such an icon.

In Bourne’s world, the establishment is essentially malevolent. It brainwashes people to turn them into assassins. It murders innocents to cover up its own secrets. It has bugs, cameras and spies everywhere. The CIA is staffed by crooks (some of them in league with the Russian mafia) at its top levels. The drama in the movies (not in the Ludlum books, when Bourne is revealed to be a willing US government assassin tasked with fighting his country’s enemies) comes from Bourne’s struggle against these forces. He operates alone, lives simply, uses no gadgets and every ten minutes or so, he beats up or kills somebody.

The Bond movies have coped uneasily with this new world. They have re-booted James Bond (Casino Royale could have been Bond Begins) and turned him into more of an action man and less of an establishment tool (he goes rogue, he fights with M, he pursues private agendas, etc.). But I am not sure the transformation can be sustained.

Authors trying to revive Bond face the same problems. John Gardner, an otherwise competent thriller writer, wrote some really crappy Bond novels which are now largely forgotten. Sebastian Faulks, a serious author, tried his hand at reworking Bond and chose wisely to write a period novel set in the 1960s when Fleming’s Bond operated and Teheran was the fleshpot of the Middle East. But Faulks’ book was a one-off so he could attempt a pastiche.

Jeffery Deaver, on the other hand, hopes to take over the franchise so his book is his own Bond Begins, a re-booting in which our hero is a veteran of the war in Afghanistan. Deaver knows how to write this kind of book so Carte Blanche is better than say, John Gardner’s hack work, though the end is a bit of a wash-out. Even so, you have to ask yourself; if the hero was called John Smith and not James Bond, would you bother with the novel?

And that, I suspect, is the problem that the James Bond franchise will face in the years ahead. We have some affection for the movies because they have been around for so long, but the truth is that as franchises go, the Bond movies don’t make the kind of big bucks that other series do. Batman, Spiderman, Star Wars, Indiana Jones and even Mission Impossible are much more profitable franchises these days. And frankly, it is hard to think of a Bond movie that is as good as the Spielberg Indiana Jones pictures, Christopher Nolan’s Batman Begins or Brian De Palma’s first Mission Impossible. Even Doug Liman’s first Bourne movie is better than any Bond movie ever made. (I’m not so sure about the two Paul Greengrass Bournes).

The third Daniel Craig Bond was delayed because its production company had problems. It should be out next year. It will be interesting to see if it can maintain the momentum of the series and make Bond relevant to a new generation of viewers. Otherwise, I suspect that time might be running out for James Bond. On the other hand, there is a scene in nearly every movie where the villain says “Goodbye, Mr Bond.”

And yet, somehow Bond survives. And he’s back in the next scene. So, who can tell?

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Powerful quake hits off eastern Japan coast, prompting tsunami warning at 9:57 am

7.1 Earthquake in Japan Triggering Tsunami Warning

Earth cracked by quake in Japan (Danny Choo)

The magnitude 7.1 earthquake hit northern Japan:

Powerful quake hits off eastern Japan coast, prompting tsunami warning

Xinhua

TOKYO, July 10 (Xinhua) — A powerful 7.1-magnitude earthquake struck off the eastern Japan coast at 9:57 am (0057 GMT) local time Sunday, prompting the authorities to issue a tsunami warning for the northeastern coast.

If any of these changes will affect weather patterns and/or food production in any significant way is not clear.

Jesus, of course, warned about a time with such issues:

8 … And there will be earthquakes in various places, and there will be…troubles. These are the beginnings of sorrows. (Mark 13:8)

We may be at this prophetic point as all the earthquakes and other problems that have happened in the past year or so could be considered as “troubles”.

Perhaps the earthquake can serve as another wake-up call to the Japanese and others that the world can change very quickly and that the time to repent is now:

30 Truly, these times of ignorance God overlooked, but now commands all men everywhere to repent, 31 because He has appointed a day on which He will judge the world in righteousness by the Man whom He has ordained. He has given assurance of this to all by raising Him from the dead. (Acts 17:30-31)

There are troubles and repentance is needed.

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